Perhaps more than ever before, films today are the primary source of inspiration for TV serial narratives, with a huge influence on both their productive and aesthetic dimensions. Obviously, a major reason for this is the transition of film professionals to serial production, although there are other factors as yet unexplained that are worthy of the attention of experts. At the same time, the maturation of the serial narrative form has resulted in a reverse trend, whereby the influence of serial products is increasingly recognizable in film narratives and in the film industry in general.
The purpose of this workshop is to encourage critical analysis of the traffic of ideas from film to serial narratives and vice versa, promoting studies to identify phenomena of interest. At the same time, we are seeking explanatory approaches that will help us to better understand the points or processes of influence.
CINEMA/SERIES will be held at the campus of Gandia. Gandia is a city on the coast situated 65 km south of Valencia and 116 km from Alicante. Gandia, with over 80,000 inhabitants, has excellent road connections and a comprehensive rail service. The best way to reach Gandia from Valencia is by train, it takes about 50 min. from Valencia Central Station to Gandia railway station. From there take a taxi or a bus (The bus stop is right in front of the Railway Station) to the Campus of the Universitat Politècnica de València.
Organizers: Héctor J. Pérez and Fernando Canet
FURTHER INFORMATION
We recommend to book an hotel on the beach, close to the campus, where the offer is bigger and cheaper.
Hotels on the beach, close to the campus
60 Eur
20 Eur (Students and UPV Alumni)
Fee includes official certificate & two meals
PROGRAMME
Friday, 6/11/15
Salón de Grados/Escola Politècnica Superior de Gandia
9:00 9:30
Reception (In front of the door of the "Salón de Grados")
9:30 - 10:00
Presentation
Pepe Pastor (Director of the Escola Politècnica Superior de Gandìa)
Organizers
10:00 - 11:00
keynote
Intertextuality and the Sherlock Holmes Franchise
Roberta Pearson (Univ. of Nottingham)
Chair: Fernando Canet (UPV)
11:30 - 13:00
Panel proposal of the research project: Theoretical Innovation Strategies in the Analysis of Narration in Television Series
Film Narrative versus TV Narrative: the cases of Hannibal and Fargo
Alberto N. García (University of Navarra)
Ask cinema about character engagement in television series: The Truman show as a case of study.
Fernando Canet (Polytechnik University of Valencia)
Transfers from Television to Cinema: Re-Editing and Hypertextuality in Todas las mujeres (Miniseries and Feature Film)
Rebeca Romero Escrivà (International University of La Rioja)
Chair: Héctor J. Pérez (E.P.S.G.)
13:00 - 14:00
keynote
Between Cinema and Television. The Italian Way to Transmedia Spin Offs: The Case of Gomorra.
Veronica Innocenti (University of Bologna)
Chair: Rebeca Romero Escrivà (International University of La Rioja)
15:30 - 17:00
Togetherness, Transparent and New Sincerity Television.
Irene Martínez Marín (University of Murcia)
All that Heavens Allows: From Douglas Sirk to Mad Men (Via Todd Haynes)
Valentina Re (Link Campus University of Rome)
Los publicistas de Sterling Cooper frente a los (m)ad men del cine de los 50 y 60
Lucía Salvador (University of Valladolid)
Chair: José Pavía Cogollos (E.P.S.G)
17:15 - 18:45
Fargo: From Film to Narrative Universe
Attilio Palmieri (University of Bologna)
Breaking Bad and Western Movies
Emre Tuncel (Bilgi University of Istanbul)
This is not TV. The Transfer of Cinema Visual Style to Television Series.
Laura Cortés-Selva (Catholic University of Murcia)
Chair: Fco. Javier Pastor (E.P.S.G)
19:00 - 20:00
keynote
Universo literario en la transmedialidad contemporánea. El caso de cine y televisión y las obras de Arturo Pérez Reverte.
Manuel Palacio (Carlos III University of Madrid)
Chair: Alberto N. García (University of Navarra)
Saturday, 7/11/15
Salón de Grados/E.P.S.G.
9:00-10:45
Pannel Proposal: Film Vs. TV Series? Cultural Hierarchies, Complementary Logics and Fictional Transfers (University of Montreal)
The cinematic television: which television and which cinema?
Larissa Estevam Christoforo.
Cinema and television in Quebec - narrative issues regarding movies and TV series adaptations
Sarah Jalbert
Television and Cinema – The concept of space in the adaptations of television shows – The case of Fargo
Camille Martínez
Cine-televisual systems and world-building
Marta Boni (Chair)
11:15 -13:00
The Gotham Ecosystem: Characters Networks and Visual Influences in the Batman franchise.
Ilaria A. De Pascalis (University of Bologna)
“The Manchurian Premise”: From Cold War Paranoia to Post-9/11 Trauma in The Manchurian Candidate (1962, 2004) and Homeland (2011)
Pablo Castrillo and Pablo Echart (University of Navarra)
The art of the cannibal. Cinematographic, literary and pictorial influences in Bryan Fuller’s Hannibal.
Raquel Crisóstomo (Internacional University of Catalonia)
El camino gris de Walther White: la figura del antihéroe en la ficción dramática contemporánea.
Xavier Grabolosa (Pompeu Fabra University, Barcelona)
Chair: Marina Segarra García (E.P.S.G.)
15:00-16:00
Keynote
The Audiovisual Performance of Ambivalent Characters in Complex TV Narration. Cognitive and Emotional Aspects.
Kathrin Fahlenbrach (University of Hamburg)
Chair: Toni Forés (E.P.S.G.)
16:15 - 18:00
Panel proposal of the research group: Televisión y Cine: Memoria, Representación e Industria (Universidad Carlos III, Madrid)
Puesta en escena y sentido: en torno a Calígula de Eloy de la Iglesia.
Carlos Gómez
Modernidad y ficción televisiva en la España de los años ochenta. El caso de Juncal.
Juan Carlos Ibáñez
Del cine a la televisión (y viceversa) en la animación española durante los años ochenta.
Ana Mejón
Amores difíciles: cuando el ‘boom latinoamericano’ llegó a la televisión.
Rubén Romero Santos
Chair: Manuel Palacio
18:30 - 19:30
keynote
Musical Television: Smash and the Broadway Musical on TV
Jane Feuer (University of Pittsburgh, USA)
Chair: Francisca Pérez Carreño (Universidad de Murcia)
This Workshop is finnancially supported by two research projects funded by the Spanish Government: Theoretical Innovation Strategies in the Analysis of Narration in Television Series (CSO2014-51872-R) and Aesthetic Value and Other Values in Art: the role of expression (FFI2011-23362), as well as by the Escola Politècnica Superior de Gandia and the Departamento de Comunicación Audiovisual, Documentación e Historia del Arte (Universitat Politècnica de València).