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    • Interactions between cognitive value and aesthetic properties in contemporary serials
    • Theoretical Innovation Strategies in the Analysis of Narration in Television Series
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CINEMA/SERIES

A Two-day International Workshop

Universitat Politècnica de València. EPSG (Spain) – 6th and 7th November 2015

 

Friday, 6/11/15

Salón de Grados/Escola Politècnica Superior de Gandia

 

9:00 9:30

Reception (In front of the door of the "Salón de Grados")

9:30 - 10:00

Presentation

 

10:00 - 11:00

keynote

Holmes in film and television on social media

Roberta Pearson (Univ. of Nottingham)

11:15 - 13:00

Panel proposal of the research project: Theoretical Innovation Strategies in the Analysis of Narration in Television Series

Film Narrative versus TV Narrative: the cases of Hannibal and Fargo

Alberto N. García (University of Navarra)

Ask cinema about character engagement in television series: The Truman show as a case of study. 

Fernando Canet (Polytechnik University of Valencia) 

Transvases de la televisión al cine. Remontaje e hipertextualidad en Todas las mujeres

Rebeca Romero Escrivà (Valencian International University)

Plot twisting: from cinema to TV

Héctor J. Pérez (Polytechnik University of Valencia)

13:00 - 14:00

keynote

Between Cinema and Television. The Italian Way to Transmedia Spin Offs: The Case of Gomorra.

Veronica Innocenti (University of Bologna)

15:30 - 17:00

Togetherness, Transparent and New Sincerity Television.

Irene Martínez Marín (University of Murcia)

All that Heavens Allows: From Douglas Sirk to Mad Men (Via Todd Haynes)

Valentina Re (Link Campus University of Rome)

Sterling Cooper's Advertising Executives Versus the (M)ad Men in the Movies from the 50s and 60s.

Lucía Salvador (University of Valladolid)

17:15 - 18:45

Fargo: From Film to Narrative Universe

Attilio Palmieri (University of Bologna)

Breaking Bad and Western Movies

Emre Tuncel (Bilgi University of Istanbul)

This is not TV. The Transfer of Cinema Visual Style to Television Series.

Laura Cortés-Selva (Catholic University of Murcia) 

19:00 - 20:00

keynote

Universo literario en la transmedialidad contemporánea. El caso de cine y televisión y las obras de Arturo Pérez Reverte.

Manuel Palacio (Carlos III University of Madrid)

 

Saturday, 7/11/15

Salón de Grados/E.P.S.G.

 

9:00-10:45

Pannel Proposal: Film Vs. TV Series? Cultural Hierarchies, Complementary Logics and Fictional Transfers (University of Montreal)

 

The cinematic television: which television and which cinema?

Larissa Estevam Christoforo. 

Cinema and television in Quebec - narrative issues regarding movies and TV series adaptations

Sarah Jalbert

Television and Cinema – The concept of space in the adaptations of television shows – The case of Fargo

Camille Martínez

Cine-televisual systems and world-building

Marta Boni (Chair)

 

10:50 -12:30

The Gotham Ecosystem: Characters Networks and Visual Influences in the Batman franchise.

Ilaria A. De Pascalis (University of Bologna)

“The Manchurian Premise”: From Cold War Paranoia to Post-9/11 Trauma in The Manchurian Candidate (1962, 2004) and Homeland (2011)

Pablo Castrillo and Pablo Echart (University of Navarra)

The art of the cannibal. Cinematographic, literary and pictorial influences in Bryan Fuller’s Hannibal. 

Raquel Crisóstomo (Internacional University of Catalonia)

El camino gris de Walther White: la figura del antihéroe en la ficción dramática contemporánea.

Xavier Grabolosa (Pompeu Fabra University, Barcelona)

 

12:45-13:45

Keynote

Title

Guglielmo Pescatore (University of Bologna)

15:00-16:00

Keynote

The Audiovisual Performance of Ambivalent Characters in Complex TV Narration. Cognitive and Emotional Aspects.

Kathrin Fahlenbrach (University of Hamburg)

 

16:15 - 18:15

Panel proposal of the research group: Televisión y Cine: Memoria, Representación e Industria (Universidad Carlos III, Madrid) 

Puesta en escena y sentido: en torno a Calígula de Eloy de la Iglesia.

Carlos Gómez

Modernidad y ficción televisiva en la España de los años ochenta. El caso de Juncal.

Juan Carlos Ibáñez

Influencias de la nueva comedia cinematográfica de la Transición en la televisión de la España postransicional: Chicas de hoy en día de Fernando Colomo.

Paula Iglesias

Del cine a la televisión (y viceversa) en la animación española durante los años ochenta.

Ana Mejón

 Amores difíciles: cuando el ‘boom latinoamericano’ llegó a la televisión.

Rubén Romero Santos

 

18:30 - 19:30

keynote

Musical Television: Smash and the Broadway Musical on TV

Jane Feuer (University of Pittsburg, USA)

 

 

 

 

 

 

 

 

 

 

 

 

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